Baaaaack

The big picture: competing anchors from the three network evening-news programs appeared together, non-competitively, on this morning's Today show to promote Stand up to Cancer, a collaborative cancer-research fundraiser to be simulcast on September 5.

The detail: after a two-year absence, Katie Couric was back on the set of Today.

Surely everyone has experienced such a scene: a beloved or respected (or detested) employee returns to the workplace after an absence. What's your scene like? Or imagine your own return: how do you behave? how do others? how about your
"replacement"? Toss a twist into the mix, to throw everyone off-guard, and see what happens.

Unbuttoned

From a tailor's workspace:

What led to this collection of 17?

Characterization

Malcolm Gladwell’s The Tipping Point is full of insightful passages, among them a proposition that we tend to define people’s character in simple, binary ways (e.g. good or bad; aggressive or passive) rather than muddy things up by acknowledging their behavioral complexities. But Gladwell argues:

Character […] isn’t a stable, easily identifiable set of closely related traits […]. Character is more like a bundle of habits and tendencies and interests, loosely bound together and dependent, at certain times, on circumstance and context. The reason that most of us seem to have a consistent character is that most of us are really good at controlling our environment. (emphasis added; page 163, pbk ed)

Gladwell’s comment pertains to real-people personality traits, but it also speaks to characterization in the writerly sense. Writers are advised to let characters develop beyond simple cliches, into surprising, conflicting, complex people. We’re advised to let more, and worse, things go wrong for them. Aha, I get it: it’s precisely when things begin to go wrong -- when characters lose control of their environments -- that they begin to reveal their complex selves.

Ouch

From a retail display:

And I thought "work of art" referred to the words on the pages.

O! The Suspense!

Oh, to be able to dramatize tension this tight ... but by using words on a page ...

Try it, why don'tcha?

Tipping Points

I’m finally reading Malcolm Gladwell’s The Tipping Point, an engaging exploration of how social trends ignite and spread.

It brings to mind an email from a friend who owns a restaurant franchise. He sees people do the same thing at the same time, seemingly out of nowhere:

Sunday was only moderately busy, with lunch rush ending early at about 12:30. Then at 2:50, we had 10 large orders within a 10-minute period. All 10 included a taco pizza.

We see it all the time in all areas of the business: one day everyone pays with checks, one day with credit cards, one day with twenties, one day with exact change, one day with fifties. One day everyone wants breasts, one day thighs, legs, wings, mashed potatoes, green beans, coleslaw, ranch dressing, deep dish crust, original crust, thin crust, on and on and on. Something clearly affects us that we are unaware of.

What trend (repetition) can you weave in to deepen your current piece of writing?

Three Windows

The floorplans are probably similar on all levels of this Chicago 3-flat, but the occupants might use the rooms differently.

Like those windows in the building's narrow extension on the left -- what's in the rooms behind each of them?

[Click on image to see larger view.]

Word Count

Although tending to length isn’t critical while drafting a novel, I decided I wanted some parameters … that I might as well try to keep my manuscript within the realm of acceptable length all along rather than over-write now and need to seriously prune later.

So I researched publishers and gathered their preferred word-count ranges. Then I opened some of my favorite novels and estimated their word counts: the general number of words per line, multiplied by the number of lines per page, multiplied by number of pages in the book. For novels I don’t own but which are similar to the one I’m drafting, I planned to go to Amazon.com, where I’d view a page of the book and proceed as above. In the process, I stumbled upon a cool feature.

For some (Amazon says all) of the books with the “Search Inside!” feature, Amazon now provides text statistics, including word count. Simply select a book and scroll down the page past the Editorial Reviews and past the Product Details to the Inside This Book space. In the New! section, click on Text Stats. I’d estimated 60,000 words for Harriet the Spy, my favorite middle-grade (ages 9-12) novel; Amazon says 57,959.

You can compare the word count (and the book’s readability statistics) to other books -- by default, the comparison is against all others; click the arrow to target it to related titles, e.g. other books for children aged 9-12. Harriet the Spy is a slightly easier read than other middle-grade books, but much longer. And though it still sells today, it was first published in 1964; it will be important to consider the lengths of recently published novels.

[As to the absurdity of Amazon’s Text Stats, read this and this.]

Uncommonality

It's not the common things we notice, but the exceptions -- the contrast tells us something. On an early morning walk, the overwhelming majority of lawns go unnoticed until I come upon one that bears a fresh-delivered newspaper.

A writer could generalize stories about those households, based first upon the presence of a newspaper and then the choice of which one: most around here are Chicago Tribunes, a few are the Sun-Times. And then there's the lone yard with Britain's pink-orange Financial Times. What related uncommonalities does it suggest? Which of them could be tweaked to make a unique household even more surprising?

Ad Men

Maybe I was an ad man in a previous life.

As a small-town kid in this life, I loved the 1960s TV series, Bewitched, with its peek into a Manhattan advertising office and the spillover of work into home life. Two decades later, I liked thirtysomething’s ad-agency scenes, especially with the evil boss Miles Drentell (and despite their mocking of Bewitched). Today, my to-be-read bookshelves include Joshua Ferris’s Chicago-agency novel, Then We Came to the End and Peter Mayle’s nonfiction, Up the Agency.

And four weeks ago, I added a fifth: AMC-TV’s original series, Mad Men. I missed its premiere last summer; I missed its two Golden Globe awards at this year’s strike-abbreviated telecast. But I finally stumbled onto the series late in the replay of Season 1; I watched four episodes and I’m hooked. What’s not to be intrigued about: 1960 with its pervasive sexism, racism, alcohol and cigarettes. The behaviors are so, so wrong, yet they’re our history. Unfortunately, in some places they're still very much our present.

Season 2 begins in primetime in July, but another replay of Season 1 begins with Episode 1 tonight. Check it out and set your recorder for midnight (Eastern time) on Sunday nights on AMC-TV.

A View To A...

The image is a teaser for MSN.com's article about view-blocking neighbors.

Read the article but for now, forget the non-fiction. Right now, sit your character in that chair and write the scene.

Access Point

For a homecoming? Or an exodus?

What's the story?

Trust Me

At age nine, my classmate Mark was small with dark eyes and dark hair -- even dark peach fuzz on cheeks still round as a baby’s. His terrible grades belied a quick mind and, sitting across the aisle from me, he’d pranked me countless times. Whenever Sister Mary Albertina reminded us to use our talents for good, I was torn -- between watching how long her eyes stayed on Mark, and looking at him myself.

So, after nearly a year of fourth grade, I was ready when his heyday came around. By the afternoon, he’d been able to squeal, “April Fool!” a dozen times to other kids. But not to me. Finally, he did lean across the aisle and poke me.

I ignored him.

“Hey,” he persisted, “there’s a dollar on the floor.”

Was he crazy? Did he think I was still that easy?

“Yeah, right.”

“No, really! It’s on the floor in front of your desk.”

I could feel others listening in. So I didn’t look at Mark and I didn’t look where his hand reached over and pointed.

Instead, I shrugged. “You can have it.”

“All right!”

He jumped up and as he took a step, I peered around my desk. And saw a dollar on the floor. He snatched it and waved it at me and I heard laughing as my face got hot.

No. Way.

[Amazing find, Cute Overload!]

Reading Globally

I mapped my armchair travels after reviewing the settings of some geographically memorable books I’ve read.

It seems backward, but I've physically visited almost twice as many U.S. states as I’ve visited through books -- 43 in body versus 24 in mind. (Maybe it's a dearth of books set in certain states ... "they say" it takes extraordinary content to overcome a flyover-country setting.)

My international travels are more parallel in number, although the literary locales have been markedly more exotic.

I’m shocked by the amount of white space on these maps! To remedy that, I'd love to hear recommendations for books (fiction or nonfiction) that explore the planet.

[Then go map some international or stateside
aspect of your own life.]

Many-Me

While it's unlikely you've experienced a doppelganger (a physical double of yourself), it's quite likely you have numerous googlegangers -- virtual doubles -- people who share your name and whose hits are mixed with yours on the result pages of a Google search.

I don’t have a googleganger; my name is unique. But my maiden name gets a few pages of hits, among them a firefighter, realtor, yachtswoman and psychologist. Until I noticed that one had been a guest on Sally Jessy Raphael’s TV show, I’d forgotten that I was once an on-air caller to her 1980s radio program.

That maiden self did come close to having a doppelganger. I walked into my small-town high school as a freshman and discovered that my 'til-then unique first name was already in use by an outgoing, assertive senior. (Three years older + popular = very intimidating.) Unbelievably, she later married a man with my surname!

Who are your doubles? What details about them spark energy?

It Takes a Thief

From the Chicago Tribune:

“[A national pharmacy chain agreed] to pay $36.7 million to settle charges it routinely overbilled Medicaid for a popular generic antacid drug, cheating federal and state governments out of millions of dollars over more than six years. Prosecutors say the pharmacy chain illegally substituted a more expensive capsule form of the drug instead of the prescribed tablets to increase its Medicaid reimbursement.”

A similar case, involving another pharmacy corporation, was settled for $49.5 million in 2006. The cases have in common a pharmacist who noticed something amiss, contacted an attorney and the rest is history.

All hail this crusading whistle-blower -- an unadulterated hero!

Hmm, not so fast.

Consider that the law provides him with a share of the settlements -- in his case, more than $10 million. Consider that he himself was arrested in 1992 as part of another Medicaid-fraud scheme, the FBI’s Operation Goldpill. He was sentenced with a fine, probation, and temporary suspension of his pharmacist license.

In a novel, would readers still view his whistle-blowing as altruistic? Or as greed? Or as paying a debt to society? It’s a tough call … it’s known as complex characterization.

Miracle Money

The well-dressed twentysomething ahead of me in line at Starbucks talked on his cell phone while the cashier poured his grande coffee. When she set the cup in front of him and announced the price, he held out a crisp, double-folded bill.

She didn’t take it, but asked, “Do you have something smaller?”

He shook his head.

“Do you have a debit or credit card?”

He shook his head.

She held up her hands in surrender. “It’s on us.”

WTF?

It’s a great scam: make the rounds of Starbucks locations with a $50 bill that never gets used because the cafes won’t accept currency larger than $20. Another customer this morning had offered a $100 bill. Note to Starbucks: Complete the financial transaction, then pour the coffee!

Note to creatives: Look deep … find these customers' consciences. What is a positive explanation for them expecting (heck, for wanting the bulkiness of) $98 in change?

Equinox

Astrapo’s comment yesterday about extreme latitudes is perfect timing for today’s astronomic equinox.

Today's pattern of sunlight (top image, as of a few minutes ago) is centered onto the earth and is moderate even at the extremes of the north and south poles. But just two months ago (below, at about the same time of day), it was near-continuous dark at the northernmost latitudes; it was dark even longer during the December solstice. Things get squirrelly when diurnality and nocturnality collide … so get ready, southern hemisphere!

You can keep an eye on the daily and seasonal sunlight patterns through the blogroll link to the World Sunlight Map.

Zoned Out

Presently, the earth is divided into time zones that organize the day similarly around the planet: dawn arrives in the early morning hours and nightfall comes toward the end of the 24-hour cycle.

But what if there were no zones -- what if time were constant around the world? Which location might evolve as the authority that dictates how the clock is set? And what might it be like to live halfway around the world from there -- to function where daylight and the clock are inversely correlated?